Carl Craig @ Plastic
Friday 16.03.
Klub Plastic/Mint
Dominic Stanton is the real name behind many of dance music’s most mysterious pseudonyms: First there is
This blog provides information on Broken Beat scene in Belgrade. This is experimental version of our future "real" website. ===============================================================================
Dominic Stanton is the real name behind many of dance music’s most mysterious pseudonyms: First there is
If you draw connections between Chicago, Detroit, Berlin and New York City surprisingly the musical epicentre of these turns out to be in Karlsruhe. In the little town in western Germany these city’s influences join forces in the studio of Frank Wiedemann and Kristian Beyer, together forming the duo Âme (speak: Ahm, = French for soul). Their soulful mission to explore far beyond the borders of house music has by now gained attention on a global scale. Delivering constant quality with 12”s and remixes that are rocking house, techno and freestyle floors alike, it appears they have developed a new consensus for modern club music. Some even say they initiated the renaissance of deep house with their productions for Sonar Kollektiv and their label Innervisions which they run together with soul brother Dixon.
7 years ago they first met through Kristian’s record shop “Plattentasche” and various local gigs. Frank, provided with the right musical genes, and Kristian, having a profound knowledge of every shade of music there is, they one day decided to start their own musical mission. Kristian has always been turned on by the voices shouting out of motor city by the likes of Moodymann and Underground Resistance as well as the New York City sound of Blaze and Metro Area´s disco approach, whereas Frank’s broad spectrum of influences ranges from past Jazz and Folk to current Carl Craig and Chateau Flight including an array of house and techno pioneers.
Âme´s sound is easily accessible without ever loosing a distinct deepness, complexity and unique twist. Their inspirations, how diverse they might be, are cleverly quoted but never copied. What started of with a B-Side for Dixon´s Off Limits has since then shot off to become a coherent success story. Their tune “Rej” as the so far most successful release on Sonar Kollektiv did not only top the best of the year charts in German De:Bug and Groove mags but was also called “the Plastic Dreams of the new millennium” by key players Danny Krivit and Louie Vega of Masters At Work. Their latest remixes for Ben Watt´s Buzzin´ Fly imprint or Ibadan´s Jerome Sydenham again prove their diverse approaches beyond Deep House. Âme continues their story with in their distinctive style as well as with their Dj-sets by pushing the boundaries of new sounds, patterns and arrangements.
John Kong has been actively involved in the music industry for over 10 years. As a successful DJ, Producer, A&R, and Promoter, among other things, he has been praised for his eclectic sounds and versatility, creating a style that juxtaposes rare Brazilian grooves, with Jazzy rhythms, deep Funk, Latin beats, and other classic sounds. In the mid ‘90s, Kong connected with other jazz aficionados to co-found the globally renowned DJ collective MOVEMENT. Still strong after 8 successful years, their monthly parties in Toronto have attracted internationally renowned talents, including Keb Darge, Gilles Peterson, Rainer Trüby, Jazzanova, BITA, Koop, Mad Mats, Theo Parrish, Osunlade, plus other major players in that “eclectic style” field from around the globe. While enjoying the success of the MOVEMENT monthlies, Kong went on to create ‘Do Right’ in 1999, a live music/DJ revue showcasing the best and upcoming in Funk and Soul acts, introducing then new artists: Sharon Jones, Quantic, DJ Mitsu the Beats, Afrodizz, Kokolo, to a wider audience. In 2001, Do Right evolved and expanded its mission to become Do Right Music, Canada's only alternative dance record label, linking the sounds of Funk to Hip Hop, Soul to House, Jazz to Broken Beats, and everything soulful! Do Right’s current roaster includes an impressive list of artists such as Ivana Santilli, Circle Research, Basic Soul Unit, Anonymous Twist, and many more to come this year!
His production credits date back to 2002 with his collaboration with Moonstarr on the track 'Future Vision', which was immediately picked up by Fluid Ounce in the UK. Now considered a classic, ‘Future Vision’ was played and charted by "Future jazz & broken-beats" DJs worldwide, establishing Kong as a vital innovative voice on the international Electronica scene. As a busy A&R man for Do Right Music, Kong still manages to find time to DJ aboard at venue such as Jazz Café London; and to work on remixes for established artists such as FEIST, & Hird under his production alias ‘Do Right Mix”. Most recently, Kong has just finished his first jazz project producing the Elizabeth Shepherd Trio. Their highly anticipated album “Start To Move’ is due out in Fall 2006, already creating a buzz in the Jazz Dance circuit.