Domu @ Mint Carl Craig @ Plastic
Friday 16.03.
Klub Plastic/Mint
Dominic Stanton is the real name behind many of dance music’s most mysterious pseudonyms: First there is
This blog provides information on Broken Beat scene in Belgrade. This is experimental version of our future "real" website. ===============================================================================
Domu @ Mint Dominic Stanton is the real name behind many of dance music’s most mysterious pseudonyms: First there is


If you draw connections between Chicago, Detroit, Berlin and New York City surprisingly the musical epicentre of these turns out to be in Karlsruhe. In the little town in western Germany these city’s influences join forces in the studio of Frank Wiedemann and Kristian Beyer, together forming the duo Âme (speak: Ahm, = French for soul). Their soulful mission to explore far beyond the borders of house music has by now gained attention on a global scale. Delivering constant quality with 12”s and remixes that are rocking house, techno and freestyle floors alike, it appears they have developed a new consensus for modern club music. Some even say they initiated the renaissance of deep house with their productions for Sonar Kollektiv and their label Innervisions which they run together with soul brother Dixon.
7 years ago they first met through Kristian’s record shop “Plattentasche” and various local gigs. Frank, provided with the right musical genes, and Kristian, having a profound knowledge of every shade of music there is, they one day decided to start their own musical mission. Kristian has always been turned on by the voices shouting out of motor city by the likes of Moodymann and Underground Resistance as well as the New York City sound of Blaze and Metro Area´s disco approach, whereas Frank’s broad spectrum of influences ranges from past Jazz and Folk to current Carl Craig and Chateau Flight including an array of house and techno pioneers.
Âme´s sound is easily accessible without ever loosing a distinct deepness, complexity and unique twist. Their inspirations, how diverse they might be, are cleverly quoted but never copied. What started of with a B-Side for Dixon´s Off Limits has since then shot off to become a coherent success story. Their tune “Rej” as the so far most successful release on Sonar Kollektiv did not only top the best of the year charts in German De:Bug and Groove mags but was also called “the Plastic Dreams of the new millennium” by key players Danny Krivit and Louie Vega of Masters At Work. Their latest remixes for Ben Watt´s Buzzin´ Fly imprint or Ibadan´s Jerome Sydenham again prove their diverse approaches beyond Deep House. Âme continues their story with in their distinctive style as well as with their Dj-sets by pushing the boundaries of new sounds, patterns and arrangements.


John Kong has been actively involved in the music industry for over 10 years. As a successful DJ, Producer, A&R, and Promoter, among other things, he has been praised for his eclectic sounds and versatility, creating a style that juxtaposes rare Brazilian grooves, with Jazzy rhythms, deep Funk, Latin beats, and other classic sounds. In the mid ‘90s, Kong connected with other jazz aficionados to co-found the globally renowned DJ collective MOVEMENT. Still strong after 8 successful years, their monthly parties in Toronto have attracted internationally renowned talents, including Keb Darge, Gilles Peterson, Rainer Trüby, Jazzanova, BITA, Koop, Mad Mats, Theo Parrish, Osunlade, plus other major players in that “eclectic style” field from around the globe. While enjoying the success of the MOVEMENT monthlies, Kong went on to create ‘Do Right’ in 1999, a live music/DJ revue showcasing the best and upcoming in Funk and Soul acts, introducing then new artists: Sharon Jones, Quantic, DJ Mitsu the Beats, Afrodizz, Kokolo, to a wider audience. In 2001, Do Right evolved and expanded its mission to become Do Right Music, Canada's only alternative dance record label, linking the sounds of Funk to Hip Hop, Soul to House, Jazz to Broken Beats, and everything soulful! Do Right’s current roaster includes an impressive list of artists such as Ivana Santilli, Circle Research, Basic Soul Unit, Anonymous Twist, and many more to come this year!
His production credits date back to 2002 with his collaboration with Moonstarr on the track 'Future Vision', which was immediately picked up by Fluid Ounce in the UK. Now considered a classic, ‘Future Vision’ was played and charted by "Future jazz & broken-beats" DJs worldwide, establishing Kong as a vital innovative voice on the international Electronica scene. As a busy A&R man for Do Right Music, Kong still manages to find time to DJ aboard at venue such as Jazz Café London; and to work on remixes for established artists such as FEIST, & Hird under his production alias ‘Do Right Mix”. Most recently, Kong has just finished his first jazz project producing the Elizabeth Shepherd Trio. Their highly anticipated album “Start To Move’ is due out in Fall 2006, already creating a buzz in the Jazz Dance circuit.

Sub sonic, radar defying, up your ronson basslines and sweatbox, basement Brazilatin dancefloor bangers is attempt to do justice to the rapid reemergence of the production duo Zero dB. If you are looking for big albums of the year then take a slice of “Bongos, Bleeps & Basslines”. In fact, take the whole bastard cake.
For those who need a little history lesson, Chris Vogado and Neil Combstock (a.k.a Zero dB) emerged as a production force in 2000 with their debut release, the monster jazz stomper, “Come Party” – released on their Fluid Ounce imprint, with “Click” and “The Snare” following quick smart. Remixes for the likes of Truby Trio, Peace Orchestra, Suba, Interfearance, Original Soul Boy, John Kong & Moonstarr, Grupo Batuque, ACME recordings, ATFC, Hexstatic, Nicola Conte, and a Sun Ra track they remixed together with Gilles "DJ Hectic" Peterson were all united under one roof with the release of "Reconstruction" in Spring 2003.
In the here and now…The first glimpse into the new material has come courtesy of “A Pomba Girou / Te Quiero” – released June 2006. Simple, chunky and effective – the taste and flavour of Brazil has been reinterpreted for subterranean, 21st Century block party. “Bongos, Bleeps & Basslines” is not a collection of singles – or tracks that don’t work and sit together uneasily. It’s a piece of dirty brilliance that segues between broken beat, filthy house, electro, hip hop and of coarse… batacuda. Its Rock n Roll with a caprinha!



Simbad "Soul Fever" gets released by Raw Fusion/Jugglin
5th Soulution
Nikolor of Braca Burazeri
and the vision to produce tracks but never had the money (it’s amazing what happens when you save up). Being a m.c/vocalist and m.cing for top jungle drum n bass d.j/producers such as Nicky Black Market, A-sides, London Electricity, High Contrast, Fabio, and doing London Electricity Live and Asian producer Talvin Singh, that’s really jus to name but a few. Doing his m.cing and his vocals and his d.jin to a professional level, all that was left was to for fill his other dream which was to become the 1st ever m.c/d.j/producer in the Jungle drum n bass scene and be signed to major jungle/drum n bass labels, WELL………HIS DREAM CAME TRUE!! He is the 1st professional m.c d.j and now music producer to achieve such a thing in the jungle/drum n bass scene; HE IS THEE 21ST CENTURY MUSIC PRODUCER! The year is 1999 were ZOOBEE M.C Stroke d.j and his brother bought there 1st p.c (not a mac, cus they couldn’t afford it) they taught them selves how to use q-base, recycle, rebirth and all the other software that’s was out at the time, and used it as a training ground. After all there hard work in the studio, it all pays off in a BIG way! SOCIAL SECURITY is born which consist of ZOOBEE M.C who no longer kept his d.j name which was Stroke d.j but instead now called himself CHILD SUPPORT, as you probably well know, and his brother called himself CRISIS LOAN and together they are the mighty.............. SOCIAL SECURITY. They both make everything from Jungle/drum n bass to Hip-Hop and r n b to bhangra also the famous EASTERN DRUM N BREAKS. They are MUSIC producers and do not class them selves with any type or style but class them selves as 21ST CENTURY MUSIC PRODUCERS! SOCIAL SECURITY see there 1st 12"inch record out on none other the man himself, Fabio's Creative Source imprint. SOCIAL SECURITY go on strength to strength to release 12's on Hospital/mash recordings, Formation/Reform records, Emotif/D.Z.R recordings, Deep Structure, Exceptional, Diagram, and now the ever famous ever friendly CONGONATTY RECORDINGS!!!! CHILD SUPPORT goes on to remix the legendary LENNY FONTANA'S SPREAD LOVE and it goes onto do soooooo much damage on the dance floor, like in raves such as ONE NATION, HELTER SKELTER, SLAMMIN VINYL, TELEPATHY, JUNGLE FEVER ETC, The award winning station that’s been broadcasting for 13 years – KOOL FM - even use the track for there advert!!!! Then if you thought that was amazing, CHILD SUPPORT then goes onto to remix one of theeee great legends ever in the history of music STEVIE HYPER D's move your body lyric, CHILD SUPPORT gives it the full dance floor layout for every raver under the sun and the moon to name it there one and only anthem, CHILD SUPPORT calls it BUFFALO SOLDIER which now is a MASSIVE RAVE ANTHEM in all the raves mentioned above and more, wait for it there’s more, BUFFALO SOLDIER got 5th best tune of the year 2004 on the biggest drum n bass website in the world, DRUM AND BASS AREANA………..what an achievement. CHILD SUPPORT a.k.a ZOOBEE M.C also performed live on B.B.C Radio 1 – IN MUSIC WE TRUST TOUR – on Bobby Friction & Nihal’s show that was on the 3rd of November 2004 from 9 – 11pm. IT’S WORLWIDE BABY!!! Just when you think it can’t get any better, SOCIAL SECURITY remix Blu Mar Ten's Trauma on Exceptional Records that goes to selling out in every record store in
